Photography is
not only an art form but it is also a way of seeing the world around you. Leaning to really see what you are looking at
takes time and practice. Close-up
photography is a way of training the eye to see. It forces you to focus in on the detail of
the subject. You become aware of the lines and form of a subject within the
defined space it has been placed upon. Here
I have used two brass compasses to form lines, triangles with a circular object
to create simple designs and compositions. Observing how angular designs on black and
white surfaces can give a different depth of mood and perspective to the same
subject. Seeing your subject from
different angles and under different lighting -this the art of seeing –creativity
for the eyes.
Sunday, June 19, 2016
Sunday, June 12, 2016
More Faces of Exit 270 Part 12
More images of
the people that make up this place I call Exit 270. I try to move in close on my subjects while
also tying to respect their space - a difficult and sometimes an impossible
task. The camera I use is a Sony Nex 7
-small and not intrusive. The key is to
pre-focus, move quickly take the shot and move on. Sometimes I ask permission of the person, and
the subject is usually agreeable.
Thursday, April 21, 2016
Abstract Glue
The
collage from the French "to glue" is the technique where artwork or a
photograph is created from the assemblage of various images combined to make a
new image.
Using
Photoshop, I have taken some of my images from files and experimented with
combining them using Layers to created a new abstract image. I cannot give you a reason why I have chosen
one group of images over another -except that at the time they seem to work
together at telling some undefined story.
The images were created over a period of years at different times. Maybe it is a peek into the bright and dark
recesses of what resides within me?
Tuesday, April 12, 2016
More Faces of Exit270-part 11
Street photography is sort of photographic voyeurism -observing the people that inhabit the
location you find yourself in. I am not
so interested in the location, but more on who is in it –what are they doing,
contrasting images between location and individual. This kind of “street portraiture” requires
patience and the ability to frame and capture your subject quickly. I presently use a Sony Nex-7 for this
purpose. I usually set my camera at
Aperture Priority -taking a light reading with the camera to set my ISO to
accommodate an F-stop of 8 or 11 before shooting, and then proceed on the
adventure.
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