Thursday, September 26, 2019

Faces of Exit270 Part 25 or CLICK


A lot of my street photography involves sometimes waiting for the moment and at other times it just happens.  Your eyes are constantly moving, taking in the scene around you.  You block out all the distractions and concentrate on the subject that you have become aware of.  In my process of street photography my main objective is the shot and how I perform this task is to blend into the scene.  A small camera foot print helps, and limit your movements letting the subject move into your frame rather than pursuing.  If you do move about, do it quickly with your camera low by your side...don’t be drawing attention by constantly bringing it up to your eye unless your have a shot.  Sometimes pretend you are shooting something else and then quickly move the camera to your particular subject and move on before he or she is aware that you have photographed them.  Your camera is preset to the conditions of light and aperture; discreetly you move your camera up to your eye, quickly frame the shot and click...move on.

You have to be aware, that you are really invading someone else’s privacy when you move in to their space to take the shot.  Therefore, if you are confronted with someone who is unhappy with you photographing him or her, be willing to smooth the situation by simple deleting the image.  My main objective is to capture an interesting subject or a moment in time, but respectfully do so and then move on.
I say move on, because if you linger around longer then necessary you invite questions and a possible confrontation with your subject.









The camera I am using for these street portraits is a Sony Alpha 7II…I can be reached at nymacc@gmail.com  for questions of comments

Sunday, September 1, 2019

Mind Shots


Are photographers trying to capture reality with a camera, or are they trying to depict their own reality?  A lot of photographers have been taught to create beautiful images.  However, if the photographer is striving to use the medium as an art form, then maybe the objective should be to create an emotional response from the viewer.


Let me start this post off with the statement...It is within the mind where an image is developed, not the camera.  The camera is only a tool in the process.  I believe that a lot of the images you produce are the result of ideas that are processed from a collection of scraps of things, fragments of words or thoughts that have been neatly filed away in a special compartment in your mind and at some point something triggers their release.   I like to refer to this as snapshots of ideas or “Mind Shots.”



The images I am presenting here are meant to be fragments of thoughts for the viewer to unravel ...each viewer of course will see or feel something different about the image.  It is an exchange of ideas between the photographer and the viewer.   Some were created directly in camera, while other are a collection of other images brought together to form the final thought that I had.  What follows is my imagination free on a digital canvas.  The images can be as simple as a study in light while others border on the surreal.






All images photographed using a Sony A7II camera…email contact nymacc@gmail.com