Showing posts with label black and white portraits. Show all posts
Showing posts with label black and white portraits. Show all posts

Sunday, July 15, 2018

Faces of Exit 270 Part 21


Street photography helps me to slow down and be aware of the world around me. It is a sort of natural curiosity of who and what I am occupying this space with. The photographs here are momentary images of people who depict my style of street photography. It is a journey capturing the faces that I find while exploring on weekly photo walks.

While I am the photographer -there is an emotional attachment with those who cross my lens. They are brief visual introductions of a man with a camera and my chosen subject. Unfortunately, I don’t take the time to chat with the subjects ...so they are simply clicks of the shutter capturing them in a momentary period in time - and I move on.   If you choose to embark on street photography it is a question of how psychologically you are willing to explore this world around you?   There is a certain element of invasion of your subject’s privacy and you have to be aware of this element of street photography and willing to accept it.









As far as the technical aspects of my shooting, I use a Sony A7II because it is light and unobtrusive.  I never use flash and depend basically on the light I find at the location to keep a natural effect.  I choose my subject sometimes because of other elements residing in the shot such as signs and at other times it is just the location of the place I find my subject in. 



Monday, August 8, 2016

The Faces of Exit 270 Part 13

I don't know if the images I capture of The Exit 270 people can really be classified as "street photography."  I tend to call it more like "street portraits.”  Most street photography usually includes people shots mixed with street scenes - hence "street photography" label.  A majority of "street photography" is taken from what some might call a safe distance.  However, I find that the faces of the people are what I focus in on.  They represent the mood of the place I find myself in.  So, therefore I tend to move in close -and my images become "street portraits."


I have no advice to give my fellow photographers - except, observe the area you are in, choose your subject, move in quickly - take the shot and move on.  You will find if you work quickly and then move on, your subjects will be less irritated by your short photographic invasion.